Physical concept
Correspondence
Objective reality
Full scale idea elaboration is discoverable in plastic forms.
“All morning I struggled with the sensation of stray wisps of one world seeping through the cracks of another.” – Diane Setterfield
Extension accessible
Transcendental intelligible
Transformation
Surfaces demand deeper contemplation.
“All experience can be characterized as made up of a subject on the one hand, which is confronted and aware of something, which on the other hand, is opposite to it as an object.” – Jan-Kyrre Berg Olsen
Poetry progress
Factual impalpably
Imaginary exactitude
Surfaces imply a deeper reality.
“What man worthy of the name of artist, and what true connoisseur, has ever confused art with industry?” – Charles Beaudelaire
Nebulous view
Implied passage
What lies beyond
Expansive experimentation conducted within a confined space.
“Telling the difference between transparent and invisible is an acquired skill. Until you’ve practiced, you can’t make the choice between looking through and looking at.” – David Whiteland
Hypothetical description
Complex entity
Inversion process
Tonal distribution is the name of the game.
“There is no difficulty in painting detail, the real difficulty lies in getting the general truth of tone and tint. ” – John Collier
Matter interactions
Optical phenomena
Radiation properties
The big glass nestles into its environment.
“Long before either wave or particle, some (Pythagoras, Euclid, Hipparchus) thought that our eyes emitted some kind of substance that illuminated, or “felt,” what we saw.” – Maggie Nelson
Multivalent allegory
Oracular directions
Polysemously enigmatic
Seeking interesting creative expressions by working within a narrow object reference, an image series takes shape.
“Imagination is everything. It is the preview of life’s coming attractions.” – Albert Einstein
Specular emphasis
Concept existability
Internal apprehension
Mediating the geographic and temporal divide of repeated encounters, a new object oriented series begins by exploring the dynamic effects of light interacting with surfaces.
“At every moment the work itself is wholly manifest.” – Michael Fried