Difference dimensions
Contrast complement
Object divide
Each morning a new batch of residual artifact debris clutters the beach. Some objects may not have full existence or value independent of the observing subject.
“The events we experience as reality are a result of activity such as consciousness, gravity and electromagnetism, which interface according to laws applying not to various individual substances, but to various formations of a singular essence.” – James Markham
Narrow field
Constant study
Outlook freshness
It seems impossible to fully exhaust any aesthetic venue. Such depth potential is a major strength and source of vitality.
“As with most undertakings, the success of an experiment depends largely on the care taken with preliminary preparations.” – W. I. B. Beveridge
Cheap construction
Extra ornamentation
Project an image
I went to the Super Wings boutique to buy some cheap expendable sunglasses. Not sure why there are two such stores right across from each other, each filled with the same sort of junk.
“We had better not enjoy the moment, but create the moment.” – Ai Weiwei
Domain entities
Sand infrastructure
Variegated dispersion
Organizing information is an important aesthetic activity. Pure abstraction offers windows in the walls of the organization.
“Individuals are allowed to inhabit the experiences of others through their interactions with art.” – Meridith Reed
Multiple objects
Observed regular events
Physical entity correlation
You can always expect to encounter seagulls in various incarnations when exploring the shore.
“In the process of change a quality disappears and another quality comes into existence. The source of these is causes.” – Ufuk Özen
Philosophical representation
Transcendental categories
Surface dialectic
Visual refinement requires durational exposure, a basic function of any experience. Experience can manifest either as radiation evoked stimulation or spontaneously generated neural activity.
“In both situations, the being breaks up, in an extraordinary way, between its being and its semblance, between itself and that paper tiger it shows to the other.” – Jacques Lacan
Cutting telescope
Situation ambiguity
Vague sympathy
An articulating photographic procedure, by which extracted architectural lines become nearly abstract and formless, increases creative potential.
“At times they feel that they do indeed see something the others do not, but at other times that what they see differs only in degree and serves no purpose.” – Felix Guattari
Feeling into
Empathy object
Creative reformulation
A mutual experience of exchange can occur between the observer and the perceived object environment.
“The imagination is enlarged by a sympathy with pains and passions so mighty, that they distend in their conception the capacity of that by which they are conceived.” – Percy Bysshe Shelley
Playful practice
Readily dispensed
Tight budget
Cast shadows increase visual interest on the final climb over the last beach dune.
“The process of visual structuring, in which each element receives its character by taking its place in the whole, occurs to some extent below the level of consciousness.” – Rudolf Arnheim
Heaving surface
Ceaseless universe
Secret lore
Up with the sunrise, the vista is continuously changing.
“I do not know what I may appear to the world; but to myself, I seem to have been only like a boy playing on the seashore, and diverting myself now and then in finding a smoother pebble or prettier shell than ordinary, while the great ocean of truth lay all undiscovered before me.” – Isaac Newton