Means of Access

Present moment
Perceptual field
Surface contact

Approaching various physical contingencies is always first an opportunity for aesthetic experience.

“The object is made determinate as an identifiable being only through a whole open series of possible experiences, and exists only for a subject who carries out this identification.” – Maurice Merleau-Ponty

Axiomatic Foundation

Original vitality
Actual autonomy
Ultimate evidence

Further defining the Helios lens optical potential, here red berries are in dual vortex optical windows within a swirling bokeh.

“On the motionless branches of some trees, autumn berries hung like clusters of coral beads, as in those fabled orchards where the fruits were jewels.” – Charles Dickens

Winter Vegetation

Subtle color
Fine texture
Lake shore bend

On every walk around ocean lake, I pause and admire the colors and textures of this spot.

“There are some places so beautiful they can make a grown man break down and weep.” – Edward Abbey

Northern End

Duel vortex
Decent distance
Helios special

The Russian Helios 44-2 lens creates awesome bokeh in a swirling circular pattern, perfect for places that already possess an enchanted ambiance.

“And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places.” – Roald Dahl

Flash of Color

Red berries
Thorny plant
Lakeside growth

Transitional areas are almost always full of interesting entities.

“Some of the most beautiful things worth having in your life come wrapped in a crown of thorns.” – Shannon L. Alder

Mutual Action

Laws of light
Generate perspective
Mass object integration

Certain locations along the way slowly divulge and revel themselves as worthy aesthetic subjects, emphasizing released sensual pleasure.

“And as the eye is the best composer, so light is the first of painters.” – Ralph Waldo Emerson

Natural Propensity

Sensible reality
Extensive becoming
Definable essence

Working with a diverse set of optics, each photographic encounter builds on the past and contributes to the future.

“The problems are solved, not by giving new information, but by arranging what we have always known.” – Ludwig Wittgenstein

Within its Limits

Description consistent
What is observed
Evidence conclusion

Aesthetics is a recurrent exercise in delimiting the margins of certainty.

“The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.” – Ursula K. Le Guin

Origins Lie

Circumstance set
Mutually implicative
Complete ideas

Deliberately arranging diverse elements, photography is as much about photography as it is about what is photographed.

“There is nothing in the understanding which has not come from the senses, except the understanding itself, or the one who understands.” – Gottfried Wilhelm Leibniz

Physics Informs

Lens workings
Engages spirituality
Sense of mystery

An exploration of the meaning of existence is augmented by using epistemically transformative optics.

“Creativity cannot flourish if we keep seeing only the things we expect to see.” – Lidor Wyssocky

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