Potential Presence

Soul seeking
Realization development
Locational evaluation

Lighting conditions and speed of encounter are critical components in the continuum of visual experience. Inferring true physical consistence is often impossible, but unnecessary for successful an adaptive response. Of course, explaining the nature of truth becomes an application of meaningful metaphysical presuppositions along the way.

“Everything the artist touches may at some future time turn into artistic gold, so that his whole life is a preparation for his work, all his experiences are raw material for creation, all his contacts with the world assume creative possibilities.” – Max Schoen

Recitative

Varied expression
Narrative inflections
Unity of effect

On an urban walkabout, aesthetic material seems to spring fully mature from the forms and energy of the constructed environment. Artwork is built from the stuff of experience, as new ideas are extracted from the timeworn.

“To the creative mind the creative activity does not appear so much as a process, a sequence of happenings, a growth culminating in a fruition, as a mere occurrence, a sudden appearance in the form of an illumination, or inspiration.” – Max Schoen

Sea Reunion

Sky above
Sand below
Coastal colors

Penetrating the surface of experience, the sea possesses a potent power to stimulate pleasant thought on another welcome encounter with the dynamic shoreline. Certain physical boundaries always encourage aesthetic wonder.

“Life is a wave, which in no two consecutive moments of its existence is composed of the same particles.” – John Tyndall

Compartmentalization

Mutual indications
Simultaneous division
Isolation separates

Taking the form of an aesthetic attitude toward all things, this found ‘Mondrian’ incorporates reflective rectangles in its compositional motif.

“All definitions are a part of the intellectual dissection and compartmentalization of control.” – Bryant McGill

Snow Fissure

Space interval
Continuity divergence
Surface cleft

Thermal punctuation is here situated on the edge of a hot spring pool, as extreme conditions steam in the sunshine on a winter morning. An artistic aesthetic response depends on how deeply guidance is gained through experience.

“Somber Yellowstone Park and its colored hot springs, baby geysers, rainbows of bubbling mud – symbols of my passion.” – Vladimir Nabokov

Differential Reflectance

Material surface
Incident radiation
Diffuse and specular

Appearance symmetry is perceived as a function of visual sensation functioning. With compete understanding limited by capacity, aesthetics responds outwardly to every pressure while retaining an inner sensitivity, knowing that reality can be illusionary.

“Reflection comes between us and every other person and object in the world.” – John O’Donohue

Transient Utterance

Deeply compelling
Object decay abstract
Vanish into obsolescence

Visual poetry is found in a deserted alley, with an emphasis on the complexities of temporal decrepitude.

“And so, from hour to hour, we ripe and ripe, and then, from hour to hour, we rot and rot; and thereby hangs a tale.” – William Shakespeare

State Fair Floral

Local florist
Arrangement serving
Surrounding area

In a perishable involvement defining certain special social events, cut flower assemblies perform a decorative role. Personaly I more apreciate blossoms in natural context attached to their original vegetation.

“Solitude allows you to be able to arrange your life only around your destiny.” – Sunday Adelaja

Lamp Post Integration

Organized sensation
Effectively within
The environment

Featuring reflected window light spots amide a geometrical presentation, an extra ordinary street configuration stimulates.

“Experience is a dim lamp, which only lights the one who bears it.” – Louis-Ferdinand Celine

Fluid Flow Field

Basin gradients
Heat transport
Thermal signature

Within the ancient active caldera, there are nine geyser basins situtated in Yellowstone Park. A mountain fur trader reported in 1830 that on a frozen winter morning the steam rising from the various geyser basins reminded him of emissions from industrial smokestacks.

“The whole country beyond was smoking with the vapor from boiling springs, and burning with gasses, issuing from small craters, each of which was emitting a sharp whistling sound.” – Joseph Lafayette Meek

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