There is something decidedly comforting about a good-looking barn set in the rural landscape. Perhaps the residual feeling of stability afforded over a hunter/gatherer existence is invoked in the pleasurable glance.
“The soul raised over passion beholds identity and eternal causation, perceives the self-existence of Truth and Right, and calms itself with knowing that all things go well.” – Ralph Waldo Emerson
Elements in a lattice
Unconscious activities underlie inferences and judgments, as well as many decision-making and problem-solving functions. This enterprise especially manifests when operating under habitual ‘auto-pilot’ circumstances.
“I’ve always been interested in the intersection between our rational and our unconscious lives.” – Kathryn Harrison
Praxis delimits a field
Implicit transcendent element
The dynamics of the unconscious may be an intellectualization. Well-equipped concepts, in the process of formation, are in relation to functions that are more general. This rationalization is certainly one of the many features implicating aesthetic creation.
“Nature provides signifiers, and these signifiers organize human relations in a creative way, providing them with structures and shaping them.” – Jacques Lacan
Transposition in reference
Traveling north at the break of dawn on a lonely artery, the landscape animates brilliantly. At such moments along the way, a deep-seated fusion of satisfaction emerges.
“Art as a mode of living demands real exertion and discipline, and real desire for goals. But it demands above all, immersion in the journey itself: in some sense the path is itself the goal.” – Crispin Sartwell
Earlier human activity remnants occasionally dot the vast landscape while traveling across the sparsely populated region of southeastern Idaho. Experienced with my good friend Dr. Terry Ownby at the wheel, the arrow of time’s provisional arrangement reclaims what is abandoned.
“Nature’s mechanical course evidently reveals a teleology; to produce harmony from the very disharmony of men even against their will.” – Immanuel Kant
Vestiges of industry
Sometimes artifacts situated in the present evoke memories of the past. Of course, existing recollections are much different from the conditions they might suggest. Nevertheless, historical records always inform current understanding.
“History is the version of past events that people have decided to agree upon.” – Napoleon Bonaparte
Inevitable next step
Proceed with caution
In the narration of life we always operate in a speed zone, with various hazards presented along the way affecting the haste.
“I think in art, but especially in films, people are trying to confirm their own existences.” – Jim Morrison
Not completely obvious
Things become imaginary walking through a deconstruction zone in the high density space of Manhattan. Such a moment stimulates reflection on the variable projection of the meaning and message of human purpose.
“To pretend, I actually do the thing: I have therefore only pretended to pretend.” – Jacques Derrida
The fifth avenue cast iron street clock blends in with associated buildings at four forty five on a cold winter day. Identifying the arbitrary precise point in the universal continuum of existence is emphatically useful, wholly concrete in itself.
“The clock never stops, never stops, never waits. We’re growing old. It’s getting late.” – Ben Folds
Words attempt to describe existence, but are not in-themselves reality. Since the invention of language, the problem of intuition has been massively confused by the use of technical terms in philosophy. A technical term is a word that has an explicit meaning within a specific field of expertise, frequently pointing to a completely different meaning than both that word’s common connotative usage, and even its multiple dictionary definitions (denotation). Technical terms are like jargon, similar to slang used by a certain group or subculture, unknown to the rest of society. For a practicing artist, understanding intuition beyond linguistic obfuscation is important. As mental functions, inspiration, aesthetic response, and quality assessment are all related to intuition. The poetic use of language might also be related to intuition, as an attempt to expand on the expressive capabilities of a modality that is limited in its inherent power.
“Those who do not know the torment of the unknown cannot have the joy of discovery.” – W. I. B. Beveridge