Connatural knowledge associated with emotion bestows intentionality to artwork, as creative intuition and beauty are intricately entwined. Because objects exist independently of human experience, they are never themselves ontologically exhausted. This inexhaustibility implies that human perceptual relations always contain hidden potential, as a kind of spirituality accessible aesthetically.
“Even the most bizarre combinations of entities are a reality never exhausted by any perception or use of this combination.” – Graham Harman
Splendor of being
Creative intuition is intelligent in harmonizing a hidden internal mentality with an apparent external reality. The art is literally embedded in the process, directed toward concrete existence as connatural to the soul infused by a given emotion. Proceeding from the perceptual imagination of the spirit, artistic work avails reason to arouse self-awareness. Emotion received in the free imaginative pre-awareness of the intellect becomes intentional and intuitive as the subject awakens to itself.
“The creator in art is he who discovers a new type-analogy of the beautiful, a new way in which the brilliance of form can be made to shine upon matter.” – Jacques Maritain
Natural and moral philosophies each have an empirical component. Experience commences at the point of conception. Natural philosophy must determine the laws of nature as an object of occurrence. Moral philosophy must determine human choice of action to the extent that free will is affected by nature.
“Observe the movement of the stars as if you were running their courses with them, and let your mind constantly dwell on the changes of the elements into each other. Such imaginings wash away the filth of life on the ground.” – Marcus Aurelius
Lived through time
Over a duration that spans into the night, a cellular tower competes with the sunset. The succession of specious presents coexist in one defined event.
“The most transitory of things, a shadow, the proverbial emblem of all that is fleeting and momentary, may be fettered by the spells of our ‘natural magic,’ and may be fixed forever in the position which it seemed only destined for a single instant to occupy.” – Henry Fox Talbot
Universe of form
Connaturality is a kind of intellectual knowledge not obtained alone, but augmented by affective inclinations and dispositions of the will. Against this background, connaturality involves a cohesive existential interpenetration, not just a partial rational intellectual sliver.
“The activity of the organism is determined through its receptivity, and vice versa. Neither its activity nor its receptivity is in itself something real; both obtain reality only in this reciprocal determination.” – Friedrich Wilhelm Joseph Schelling
Position to engender
The phenomenal mystery of energy, matter, space, and time elegantly appears on a clear night. Metaphysical cosmology seeks to understand the source and meaning of the universe by thought alone. Such thinking is facilitated by being out under the stars, contemplating existence as the world turns.
“It is safer, therefore, to allow the concept to arise, as it were, before our eyes, and thus to find the ground of its necessity in its own origin.” – Friedrich Wilhelm Joseph Schelling
Imagination can be part of the preconscious life of the intellect. Used to make known and express what is singular and conceptually inexpressible, preconceptual imagination fuels creative intuition. The use of images in creating artworks is an act of transforming images present to the preconscious intellect concretely to express deep spiritual experience.
“The images thus stirred are themselves in a state of fluidity–not organized but movable by every wind–and part of the preconscious life of the spirit.” – Jacques Maritain
While the totality of all reality encompasses a multiplicity of universals, the various forms of experience constitute a continuous and connected series of mental phases. Thus, the life of the mind is a whole and a single continuous movement.
“What is found in this flux of thoroughgoing change is merely difference as universal difference, or difference into which the various opposites have been resolved.” – Georg Wilhelm Friedrich Hegel
Active in common
The spiritual unconscious life of the intellect expands the bounds of rational knowledge. In this way, it operates outside theory and idea production and beyond conceptualized externals of reason. At the single root of the soul’s powers, in this free intellectual realm, the imagination roams.
“Poetry is the fruit neither of the intellect alone, nor of imagination alone. Nay more, it proceeds from the totality of man, sense, imagination, intellect, love, desire, instinct, blood and spirit together.” – Jacques Maritain
Tending toward beauty
Given the singularity of each instance, the artist’s adaptability to impose the form of the mind on an external contingency directs creation. Each episode operates as a purely unique participation of aesthetic judgment.
“The possession of knowledge does not kill the sense of wonder and mystery. There is always more mystery.” – Anaïs Nin