Cornerstone | Material measure Intellectual edifice Manipulating concept |
M
ore and more I am using the Olympus 50mm f3.5 macro lens and moving in close to study element details comprising the immediate environment. The beauty of this approach is that at this scale available subject matter is infinite and unconventional. In addition, moving from a macro view of a specific to a “Floating Element” rendering of ambiguity is facile.
“I'm a participant in the doctrine of constructive ambiguity.” - Vernon A. Walters
