Antecedents | Spring hill Prairie context Evening primrose |
I
ntegrating the near and the far, there is forever a certain linear association involved in spatial/temporal orientation. We are always operative in the here and now, with objects and energy expanding outward from our central position. Within this paradigm, multiplicities of sensory possibilities provide visual information subject to considerable filtration, both conscious and unconscious. As the relationship of the oblivious diminishes in favor of awareness, creative response is enhanced.
“This is the day
Of the expanding man
That shape is my shade
There where I used to stand
It seems like only yesterday - Steely Dan
