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O
ccasionally I find object arrangements that when rendered are intrinsically painterly, marked by an openness of form with shapes distinguished by color variations and contour. This image makes strong use of many visual effects such as chromatic sequence, warm and cool tones, chiaroscuro, complementary and contrasting colors, broad and narrow tonality, impressionism, and impasto. It reminds me of the look and feel of an image made with a Polaroid SX70 prior to emulsion manipulation.
“We should all do what, in the long run, gives us joy, even if it is only picking grapes or sorting laundry.” - E. B. White
